To gather in a single commentary all the shades of Luís Soares' palette would be almost impossible, and even worse to discover it anew. Even so, so that the spectator reader may be impregnated with the sensations provoked by the paintings of the Luso-Mozambican painter, nothing better than to point out his inventive riffs on the pathetic comedy of time and life, as well as the problematic of the survival of his protagonists' souls, solved by the very means of expression he uses